With its glowing running start, Blindspotting aced the pilot episode and starts digging in deep right away in the second. As we find out that Miles is sentenced to five years in the opening scene, the events of Ashley’s day following give us an up close look at the particular way women have to be strong no matter what. While it is often thought that the prison system only really affects those incarcerated, in “Smashley Rose” the perspective of those closest is brought into the spotlight. From Rainey’s sidewalk breakdown to Ashley’s hotel meltdown and Trish’s enhanced meanness; we learn learn a little more about these characters and the real life struggles they’re dealing with.
To start, while everyone around her crumbles Ashley forces herself to stay strong. She can’t break down about her life partners sentencing when she has to go work and pretend to be fine. She has to keep her head on straight for Sean. However there is no solace behind the desk of one of the most expensive hotels where the rich flaunt their egos and after unwanted advances plus verbal racial abuse Ashley has her moment. It’s beautiful and poignant to watch as she laments about the unfairness of the way the rich get richer and the poor suffer for it while she destroys the hotel room of the racist guest. It’s a something she honestly deserves. But it’s probably not enough.
Meanwhile Rainey has her own version of a breakdown. Miles is her son after all, and he’s being taken from her for five years. It’s a lot. And Rainey’s solution, after a round of embarrassing vocalization meditation, seems to be turning attention to Sean and how to tell him. Something Ashley is firmly against, but Rainey won’t be deterred and makes a trip to the library to find books that will help. She’s trying her best to be supportive but so far comes off a little tone deaf and overwhelming. Between Ashley’s unwillingness to tell Sean where his dad is and Rainey’s unsure-ness when it comes to where race should be included in which topic, the day is mostly a bust for them both. “It was a rough day,” to quote Mama Rainey.
Despite not seeing much of her in this episode, Trish’s presence is still just as big as it was in the first one. She’s very upset about Miles’s sentencing and though she has comforting hugs for her mom, icy words and deathly glares are all she spares Ashley. Not only has her brother been taken away but now the possibility of Ashley staying with them for five years is very much the elephant in the room. And Trish is not happy about it at all. Though as Janelle points out at the end of the episode, she and Ashley used to be hella mean too.
A bright spot in the drama heavy episode was that of Earl, the neighbor renting the spare room in Nancy’s house. Earl is obviously the comedic relief of the show but there’s something deeper to him as well. He’s nice, polite and friendly even though Janelle mostly snips and snaps at him for being too silent. He’s even got a cheerful attitude as he explains why he’s got foot up foot of extension cords wrapped around one shoulder; to keep the battery on his monitor up when he’s out. He’s fairly chipper about the whole situation so far.
With only thirty minutes, there’s not room for anything that’s not important plot wise and so far every second of Blindspotting has been an improvement to the story and absolutely worth it. Especially things like the deep inner looks at how Ashley’s mind is dealing with Miles’s sentence, by creating an imaginary Miles to be at her side which I hope is handled carefully seeing as how this could easily become the Miles show without meaning too, and the subtle way Janelle is avoiding talking about why she’s back in town suddenly, always changing the subject and brushing it off. Plot details like that mixed together with the seamless dance choreography and breakage of the fourth wall have produced an outcome that is something completely unique. Every detail is breathing life into the bigger picture of this perspective of Oakland life. And telling a captivating story while doing it.
Blindspotting airs Sunday nights on STARZ